This is general information, not legal advice. Copyright licensing is fact-specific; speak to a media lawyer before releasing a commercial cover.
Almost every Indian artist has posted a cover — an unplugged Bollywood number, a Coke Studio rework, a Prateek Kuhad song on ukulele. Covers are a proven discovery tool. They are also the single most common reason independent musicians get Content ID claims, muted audio or a distributor rejection. Understanding the three separate rights in a song saves you most of that pain.
Three rights, not one
Every recorded song carries at least:
- The composition — music and lyrics, owned by the composer/lyricist or their publisher (often a label's publishing arm, and administered for performance by IPRS).
- The sound recording — the master, usually owned by the label (T-Series, Saregama, Sony, Zee and so on).
- The performance — rights of the performers, administered partly by ISAMRA.
When you record a cover, you create your own sound recording. You don't need the original master — and you must not use it, including as a "karaoke" backing track. But you are still reproducing the composition, which needs permission or a statutory route.
Section 31C: India's statutory licence for cover versions
Section 31C of the Copyright Act, 1957 (inserted in 2012) lets a person make a cover version sound recording of a work without negotiating directly with the owner, provided strict conditions are met. In outline, per the Act and Chapter VII of the Copyright Rules, 2013:
- A recording of the work must already have been made with the owner's consent.
- A cover can only be made after five calendar years from the end of the year in which the first recording was made.
- You must give prior notice to the copyright owner and the Registrar of Copyrights — the Rules say at least fifteen days before making the cover.
- You must pay royalties in advance at the rate fixed by the competent authority, with the Rules requiring payment for a minimum of 50,000 copies (a lower minimum can apply for some languages/dialects).
- You cannot alter the work beyond what's technically necessary without consent.
- The packaging must state it is a cover version made under section 31C, and must not use the original performer's name or imagery, or mimic the original's artwork.
- It must be in the same medium as the last recording unless that medium is no longer in commercial use.
Does 31C work for streaming?
This is genuinely unsettled. Section 31C was drafted with physical copies in mind, and Indian courts and the industry have argued over whether it extends to digital and streaming. Rates for many works are also not clearly published, and the rule requires notice only after a rate is fixed. In practice, very few independent artists use 31C for Spotify/JioSaavn releases. Treat it as a route to discuss with a lawyer, not a DIY checkbox.
Covers on YouTube: the practical route
On YouTube, most covers live under the platform's own licensing deals rather than 31C:
- Publishers register compositions in Content ID. When your cover is detected, the publisher can block, track or monetise it.
- YouTube's help centre explains that for eligible cover videos, if the publisher chooses to monetise, the creator in the YouTube Partner Program can receive a share of revenue. YouTube doesn't publish a fixed percentage.
- Using the original track, a stem, or an unlicensed karaoke track triggers a sound recording claim, which usually means no share for you.
So the YouTube cover playbook is: perform it yourself, credit the original writers in the description, expect a claim, and don't dispute a valid one. Disputing a legitimate claim can escalate to a copyright strike. Read our Content ID guide for how claims work from the other side.
Covers on Spotify, Apple Music and JioSaavn
Distributors handle covers differently:
- Some international distributors offer mechanical licence services for the US, but that doesn't clear India or other territories.
- Many distributors ask you to confirm you hold licences, and some reject Indian-film covers outright because rights holders file takedowns.
- Releasing a Bollywood cover without permission can lead to takedowns and, in repeat cases, account action.
Before uploading, check your distributor's cover policy — compare them in our distribution guide. If the cover matters commercially, write to the publisher for a direct licence. Labels do grant them, usually with a fee or revenue split.
Instagram Reels and live sets
Short-form platforms have blanket deals with many labels for their music library, but your own recorded cover uploaded as original audio is a different thing. Platforms may mute or limit it. Live performance of covers at venues is licensed through the venue's public performance licences — see IPRS, PPL and Novex licensing.
Mashups, remixes and "lofi flips"
A mashup combines two compositions and often two masters — that's a cover licence plus sample clearance. Changing tempo, adding a beat or rewriting lyrics counts as altering the work, which 31C doesn't allow without consent. See sample clearance in India.
Public-domain songs
Folk songs and very old works may be in the public domain. In India, literary and musical works generally stay protected for the author's life plus sixty years. A traditional folk melody may be free; a specific modern arrangement or a famous recording of it is not. Verify authorship before you assume.
A cover checklist
- [ ] Identify composer, lyricist and publisher (check credits, IPRS repertoire, label sites)
- [ ] Record your own instrumental — no original stems or ripped karaoke
- [ ] Decide platform: YouTube only, or streaming release too?
- [ ] For streaming: check distributor policy; seek a direct licence for film or label songs
- [ ] Title clearly: "Song Name (Cover)"; credit writers
- [ ] Don't use the original artist's name or artwork style in your cover art
- [ ] Keep emails and licences in your release folder
Covers as strategy
Covers work best as a door, not a house. Use them to find listeners, then point people toward your originals in pinned comments, end screens and bios. Register your own songs properly — start with how to copyright a song in India.
Frequently asked questions about cover songs
Is it legal to upload cover songs on YouTube in India?
It can be, but legality depends on licences, not on a disclaimer. Writing "no copyright infringement intended" in your description does nothing in law. On YouTube, the practical position is that many music publishers allow covers through Content ID and take some or all of the ad revenue; YouTube's own help page on eligible cover videos describes how covers can share revenue with publishers who have opted in. That is a platform arrangement, not a blanket legal licence — a publisher can still block a cover or choose not to participate.
Do I need a licence for a cover I only sing at a gig?
Public performance of songs at venues is normally licensed by the venue or organiser, typically through a copyright society such as IPRS for the underlying music and lyrics. As the performer you usually don't buy that licence yourself, but it's worth asking the organiser — our IPRS, PPL and Novex licensing guide explains who collects what.
Can I change the lyrics or translate a song for a cover?
Changing lyrics, translating them or reworking the melody moves you away from a "cover" and towards an adaptation, which generally needs the owner's direct permission. Section 31C, as the Act and Rules describe it, contemplates sound recordings that don't alter the work beyond what's technically necessary. If you want a Hindi version of an English hit, or a Tamil version of a Hindi one, write to the publisher first.
How long does copyright in a song last in India?
For musical and literary works, copyright generally lasts for the author's lifetime plus 60 years. Old film songs are almost always still protected, so "it's from the 1970s" is not a free pass.
Discography is an independent music magazineHow to get coveredRelease music in IndiaIndian indieAbout
